Media Babies on CHANEL NO.5 derives its strength from fragmentation in order to develop a truly public “narrow/broadcasting/catching media network. A local-based public interface the “Media Baby” is instrument that seduces its public to use and abuse the television medium, maximizing its possible spontaneity by hijacking the public’s imagination.
Publication Public Media Urban Interfaces @ Lab für Kunst und Apparate, Jahrbuch, ISBN 3-88375-324-6, , Academy for Media Arts, Cologne, Germany, 1 October 1998
The development of Virtual Reality (VR) is closely linked to the exploration of unknown territories. Virtual Reality, slowly emerging since the1920s, really took off in 1966 when NASA introduced this technology for flight simulation systems in its space program. As it was too expensive and too risky to train the astronauts by practising the real thing – launching them into the cosmos – methods had to be developed that could provide the trainees with a simulated experience: a small physical stimulus of acceleration, supported by and combined with visual information, was extrapolated and amplified in a ‘knock-on’ effect by the brains of the astronauts, providing them with the mental environment required to practise for the operation in (real) space.
Publication Virtual Reality @ de Architect, ten Hagen & Stam bv, the Netherlands, June 1998
Public urban space and the “space” of communication networks are usually considered to be competing, even mutually exclusive frameworks for social interaction. In fact, the traditional functions of public urban space are being taken over by telecommunication networks, their input/output devices implanted in (private) interiors.
Publication Media & The City @ de Architekt, den Haag, the Netherlands, July 1997
Introduction Harm Tilman, editor in chief @ de Architect, den Haag, the Netherlands, @ de Architect, den Haag, the Netherlands, Juli 1997
Architectural space and structures and the mental spaces and structures of philosophical discourses have always been associated with each other.
The new image of Man looks roughly like this: we have to imagine a network of human interrelations, a ‘field of intersubjective relations’. The strands of this web must be conceived as channels through which information (ideas, feelings, intentions and knowledge etc.) flows. When these strands knot for a moment, they form what we call ‘human subjects’. The totality of the strands constitutes the concrete sphere of life and the knots are abstract extrapolations.
Article Vilém Flusser © Hybrid Space Lab, Berlin, July 1999
Telecommunications lacks the tangibility of real space. Conversely, the culture of the city needs to integrate digital technology.
How telecommunications and the city interact.
Media Babies on Chanel no.5 is a concept for a digital public structure for the city of London.
Article Network Architecture, Ed van Hinte @ Items #6, Netherlands, 20 September 1995
Often, comparisons, parallels to landscape, are drawn to nature in the work of Behnisch & Partner. The architectural ensemble is perceived as a continuation of the landscape.
Publication the Work of Behnisch & Partner, Elizabeth Sikiaridi @ ARCH+, Germany, 1 September 1994
A colossal De Klerk, complex dream-pictures in wood or a monkey with a transistor radio and a bright pink rear end. Rotterdam’s Museum of Ethnology is showing some 30 sculptures by South African Venda artists in a remarkable display. ‘If there is one general characteristic to be given to contemporary African art, it is an unstoppable narrative drive.’
Publication The storytelling art of the Venda, Paul Faber @ Museum magazine Vitrine, Rotterdam 1 August 1994