Iannis Xenakis @ Akademie der Künste

The way people communicate and connect around the world today, is being radically redefined by digitalization.
With the acceleration of digitization as one of the most obvious consequences of the pandemic, the use of digital tools is experiencing an unprecedented rise among arts and cultural institutions and practices.

Publication @ tanz Yearbook 2022, Germany, 15 August 2022

Iannis Xenakis (1922–2001), who was originally trained as an engineer, worked as an architect in Le Corbusier’s office.
He designed – in co-authorship with Le Corbusier – the vessel containing the Poème, the shell structure of the Philips Pavilion.
Xenakis, was to become an internationally renowned composer, and he continued his research into complex architectural forms and the equally complex ephemeral architectures of music, sound and light.

Publication Hybrid Architectures of Iannis Xenakis @ Conference Poetics of Space, Sonic Acts 2010, Amsterdam, 25 February 2010

In the aesthetic production of the 20th century, there is a fascinating moment of artistic synergy. An architect, Le Corbusier, conceives an Electronic Poem, an electronic synthesis of visual and acoustic events, and a “vessel containing the poem” [a pavilion] for the Philips corporation presentation at the 1958 Brussels World Fair.

Research, Lectures  & Publications the Architectures of Iannis Xenakis, Synthesis after Le Corbusier, Elizabeth Sikiaridi, © Hybrid Space Lab, Amsterdam, 1 June 1999

Hybrid Space Lab wrote the lead article “hybrid” for tanz yearbook 2022, the international magazine for ballet, dance and performance,  focussing on the body and space in the context of the physical and the digital.

Publication hybrid @ tanz, Germany, 19 August 2022

Interview with Elizabeth Sikiaridi by Britta Bürger on Iannis Xenakis‘ architectures in the live programme “Fazit” of the German cultural radio “Deutschlandfunk Kultur” on the occasion of Iannis Xenakis‘ 100th birthday about his work and importance as an architect.

Interview in German with Elizabeth Sikiaridi by Britta Bürger on Iannis Xenakis @ Fazit, Deutschlandfunk Kultur, Live Radio, 29 May 2022

Hybrid Space is the superimposition and layering of physical, informational and media infrastructures, and social, cultural and economic flows.
Hybrid Space is the fusion of Physical and Digital Space.

Lecture Hybrid Space @ Conference Poetics of Space, Sonic Acts 2010, Amsterdam, 26 February 2010

This contribution discusses the interdisciplinary aspects of Iannis Xenakis’ oeuvre and his Synthesis of the Arts. In doing so, I draw on archival research-including Xenakis’ personal archives in Paris and interviews with him.

Publication, Lecture & Discussion Iannis Xenakis @ Make it New, le Poème électronique, Alice Foundation , Eindhoven, the Netherlands, 15 June 2004

There is a fascinating moment of artistic synergy in the aesthetic production of the 20th century. An architect, Le Corbusier, conceived an electronic poem, an electronic synthesis of visual and acoustic events, as well as a “vessel for the poem” (a pavilion) for the presentation of the Philips company at the 1958 World Exhibition in Brussels.
The result was one of the most exciting buildings of the post-war era, the Philips Pavilion, in which the electronic composition and the building form interrelated parts of a total work of art in which the elements of light, colourful images, rhythm and sound combine to form an organic synthesis.

Publication “From event structure to spatial form” @ Klangräume der Kunst, Kehrer Verlag, 7 Juli 2006