As museums and cultural institutions face the prospect of a 1.5mt-apart life and economy, how to offer meaningful visitors’ experiences whilst keeping afloat of financial needs has become a most pressing question.
During the COVID-19 pandemic, the use of digital instruments is rapidly increasing. As the possible consequences of digitization are more sharply outlined, this opens new possibilities for spatial organization. This urges us to reconsider the guiding principles and models for the urbanization of technology we want to follow and what our city visions are. We can still choose.
With its physical distancing measures, the COVID-19 pandemic is destroying public space as we know it. The current crisis creates the necessity – and emergency – to rethink cultural space.
To reinforce the significance of public space we have to deal with at least two “public”, the global and the local public, by creating spheres where local and global public space can fuse and interchange.
In the Sisyphus work of the day-to-day struggle for survival of the offices, in the traineeship of the next generation, the crisis of architecture is now directly experienced. Even in the architectural discourse there is a perplexity. Excesses from the crisis are sought through escapades into atmospheres or through bonds from post-bicentenary courses, such as the communication for “architecture pop” or the urbanist in the shrinkage discussion.
Media networks are influencing and interacting with ‘real’ places. These digital information-communication networks are changing our physical environment and also the social, economic, and cultural organization of our societies in general.
Soft Urbanism is an interdisciplinary field that examines the “soft” aspects, the communication aspects, of the contemporary city.
Hybridization is an evolutionary strategy of cumulative, dynamic cultures that are based on intercultural connections and fostered by cross-fertilization.
Increasingly tourism is contributing to global prosperity and enabling intercultural exchange, increasing the global ecological footprint and threatening local culture.
In architecture’s role of defining and materialising the spaces for social interaction, designing the relationship between the physical and digital public domain is becoming THE challenge: investigating the relation and interconnection of the ‘soft’ city with its finite material counterpart, the living environment, speculating about interfaces between the ‘virtual’ and the material urban world, and designing hybrid (analog-digital) communicational spaces.
Soft Urbanism deals with information/communication processes in space, the soft aspects overlying the urban sprawl.
To understand the fusions, the superimposition and the interactions of media and ‘real’ architectural/urban spaces, the new term ‘idensity®’ replaces the obsolete conventional terms of spatial distinction.
Design strategies for B.A.N.G. : the fusion of Binary, Atoms, Neurons, and Genes.
Rethinking design in order to address the changes of our future needs in our increasingly service and knowledge based society and economy.
Cross-fertilisation, borrowing other’s ideas and incorporating elements of other’s culture into one’s own is crucial to cultural development.
In the aesthetic production of the 20th century, there is a fascinating moment of artistic synergy. An architect, Le Corbusier, conceives an Electronic Poem, an electronic synthesis of visual and acoustic events, and a “vessel containing the poem” [a pavilion] for the Philips corporation presentation at the 1958 Brussels World Fair.
Infodrome is a thinktank for the Dutch Government. With research and the article “the use of space in the information- and communication age” we contributed to the publications, workshops and discussions.
The merging of the three Dutch design related institutes, architecture, design and media, into a new hybrid design institute.
Aesthetics derives from the ancient Greek αἰσθάνομαι (aisthanomai, meaning “I perceive, feel, sense”) and thus stands for the capability to perceive Instabilities. Including unstable – open dynamic networked – systems into our realms of perception, enables us to develop an understanding in order to work with them.
This general trend reflects on all aspects of our existence: culture, politics, economics, etc. and, of course, on cities. One of the most significant achievements of the 20th century – network technologies – have provided our planet with a totally new digital layer: virtual reality. This has given rise to a whole new sphere of interplay between urban and media networks. Communication networks are changing our society.
Interview by the STRELKA Institute in Moscow for the Future Urbanism project – forty one interviews with contemporary writers, architects, sociologists, economists and city planners.
Hybrid Space Lab is concerned with how the expanding media networks interact with the physical, the public space. Their work is to be seen at the International Architecture Biennale 1ab in Rotterdam. International Architecture Biennale 1ab in Rotterdam.
Developments in the field of Domotica, the house is becoming SMART.
New interdisciplinary fields of planning and design are introduced: Soft Urbanism, exploring the interaction of urbanism and the space of mass media and communication networks, and Hybrid Space Design, developing fused analog-digital / architectural-media spaces.
Public urban space and the “space” of communication networks are usually considered to be competing, even mutually exclusive frameworks for social interaction. In fact, the traditional functions of public urban space are being taken over by telecommunication networks, their input/output devices implanted in (private) interiors.
The new image of Man looks roughly like this: we have to imagine a network of human interrelations, a ‘field of intersubjective relations’. The strands of this web must be conceived as channels through which information (ideas, feelings, intentions and knowledge etc.) flows. When these strands knot for a moment, they form what we call ‘human subjects’. The totality of the strands constitutes the concrete sphere of life and the knots are abstract extrapolations.
Often, comparisons, parallels to landscape, are drawn to nature in the work of Behnisch & Partner.