During the COVID-19 pandemic, the use of digital instruments is rapidly increasing. As the possible consequences of digitization are more sharply outlined, this opens new possibilities for spatial organization. This urges us to reconsider the guiding principles and models for the urbanization of technology we want to follow and what our city visions are. We can still choose.
Hybrid Space Lab plan is in line with the undoubtedly most important question for contemporary cultural identity: the relationship between tradition and innovation. Their idea of a growing green world around the castle is the portrayal of the idea of tradition as a dynamic phenomenon.
How do we ensure quality of life in the city? How can we achieve that the environment will not suffer any damage? And that we can grow old as healthy as possible? In the year 2018, digitization can give an unprecedented dimension to the answers to these questions. Elphi Nelissen and Frans Vogelaar explore the possibilities of the digital technology for the future of the city.
To reinforce the significance of public space we have to deal with at least two “public”, the global and the local public, by creating spheres where local and global public space can fuse and interchange.
Soft Urbanism is a new interdisciplinary field of planning, investigating the transformations of space in the emerging information and communication age and designing the interplay of urban and media networks.
Hybrid Urbanism investigates the transformations of space in the information and communication age and develops and designs hybrid urban and media networks.
Hybridization is an evolutionary strategy of cumulative, dynamic cultures that are based on intercultural connections and fostered by cross-fertilization.
Telecommunications lacks the tangibility of real space. Conversely, the culture of the city needs to integrate digital technology
Transforming the facade of the Humboldt Forum into a living organism.
The special art edition of DER TAGESSPIEGEL, the German newspaper, publishes interview on the changing role of design in times of crisis.
To understand the fusions, the superimposition and the interactions of media and ‘real’ architectural/urban spaces, the new term ‘idensity®’ replaces the obsolete conventional terms of spatial distinction.
Cross-fertilisation, borrowing other’s ideas and incorporating elements of other’s culture into one’s own is crucial to cultural development.
In the aesthetic production of the 20th century, there is a fascinating moment of artistic synergy. An architect, Le Corbusier, conceives an Electronic Poem, an electronic synthesis of visual and acoustic events, and a “vessel containing the poem” [a pavilion] for the Philips corporation presentation at the 1958 Brussels World Fair.
The merging of the three Dutch design related institutes, architecture, design and media, into a new hybrid design institute.
Electric vehicles are regarded primarily as regards sustainability, ie as a vehicle to support the entry into the post-fossil age. At the same time, the introduction of the new electro-powered motors opens up opportunities for the redefinition of the car with far-reaching consequences: the car is shrinking – and the public space of the city can grow again.
Hybrid Space Lab is concerned with how the expanding media networks interact with the physical, the public space. Their work is to be seen at the International Architecture Biennale 1ab in Rotterdam. International Architecture Biennale 1ab in Rotterdam.
Developments in the field of Domotica, the house is becoming SMART.
New interdisciplinary fields of planning and design are introduced: Soft Urbanism, exploring the interaction of urbanism and the space of mass media and communication networks, and Hybrid Space Design, developing fused analog-digital / architectural-media spaces.
Public urban space and the “space” of communication networks are usually considered to be competing, even mutually exclusive frameworks for social interaction. In fact, the traditional functions of public urban space are being taken over by telecommunication networks, their input/output devices implanted in (private) interiors.
The new image of Man looks roughly like this: we have to imagine a network of human interrelations, a ‘field of intersubjective relations’. The strands of this web must be conceived as channels through which information (ideas, feelings, intentions and knowledge etc.) flows. When these strands knot for a moment, they form what we call ‘human subjects’. The totality of the strands constitutes the concrete sphere of life and the knots are abstract extrapolations.
Often, comparisons, parallels to landscape, are drawn to nature in the work of Behnisch & Partner.