As museums and cultural institutions face the prospect of a 1.5mt-apart life and economy, how to offer meaningful visitors’ experiences whilst keeping afloat of financial needs has become a most pressing question.
With its physical distancing measures, the COVID-19 pandemic is destroying public space as we know it. The current crisis creates the necessity – and emergency – to rethink cultural space.
As a consequence of the more than 65 years long near absence of human activity, the Korean DMZ land strip has become a verdant 984 square kilometers nature reserve where endangered flora and fauna species had the chance to regain space.
The Korean DMZ has become a testimony to unintentional beauty. Thriving vegetation and undisturbed wildlife now cover the painful, conflict-born void along the military demarcation.
Over the last few years, it has gathered international attention due to its symbolic value as well as to individual and bilateral bids by North and South Korea securing UNESCO Biosphere status for areas of the DMZ.
In the Sisyphus work of the day-to-day struggle for survival of the offices, in the traineeship of the next generation, the crisis of architecture is now directly experienced. Even in the architectural discourse there is a perplexity. Excesses from the crisis are sought through escapades into atmospheres or through bonds from post-bicentenary courses, such as the communication for “architecture pop” or the urbanist in the shrinkage discussion.
Networked participatory design systems are replacing the logics of the industrial age.
Soft Urbanism is a new interdisciplinary field of planning, investigating the transformations of space in the emerging information and communication age and designing the interplay of urban and media networks.
Hybrid Urbanism investigates the transformations of space in the information and communication age and develops and designs hybrid urban and media networks.
Media networks are influencing and interacting with ‘real’ places. These digital information-communication networks are changing our physical environment and also the social, economic, and cultural organization of our societies in general.
Hybridization is an evolutionary strategy of cumulative, dynamic cultures that are based on intercultural connections and fostered by cross-fertilization.
A vertical jungle in a greenhouse pavilion clings to the Berlin Humboldt Forum. A trail leads from the underground to the roof of the Humboldt Forum, opening up stacked gardens and pop-up restaurants dedicated respectively to world flora and world cuisines.
A jungle for the façade of the Berlin Humboldt Forum!
In the aesthetic production of the 20th century, there is a fascinating moment of artistic synergy. An architect, Le Corbusier, conceives an Electronic Poem, an electronic synthesis of visual and acoustic events, and a “vessel containing the poem” [a pavilion] for the Philips corporation presentation at the 1958 Brussels World Fair.
Electric vehicles are regarded primarily as regards sustainability, ie as a vehicle to support the entry into the post-fossil age. At the same time, the introduction of the new electro-powered motors opens up opportunities for the redefinition of the car with far-reaching consequences: the car is shrinking – and the public space of the city can grow again.
Hybrid Space Lab is concerned with how the expanding media networks interact with the physical, the public space. Their work is to be seen at the International Architecture Biennale 1ab in Rotterdam. International Architecture Biennale 1ab in Rotterdam.
Developments in the field of Domotica, the house is becoming SMART.
New interdisciplinary fields of planning and design are introduced: Soft Urbanism, exploring the interaction of urbanism and the space of mass media and communication networks, and Hybrid Space Design, developing fused analog-digital / architectural-media spaces.
Often, comparisons, parallels to landscape, are drawn to nature in the work of Behnisch & Partner.