IdensityÂź of the Urbanite @ Cyber Art Congress Bilbao

To reinforce the significance of public space we have to deal with at least two “public”, the global and the local public, by creating spheres where local and global public space can fuse and interchange.

Lecture Idensity Âź of the Urbanite @ Cyber Art Congress, Bilbao, Spain, 23-30 April 2004

Bridging the gap and connecting the global media spheres with local content and place, an architecture of communication spaces proposes a combined analog-digital infrastructure: publicly accessible interfaces between the global media space and the local urban place. ‘Public Media Urban Interfaces’ is an alternative scenario for the interplay of mass media in order to reinforce the function of public (urban) space. This project develops a hybrid urban network-space, a fusion of media space and urban space. It emphasises the role of the public in an increasingly privatised society and occupies the vacuum in between the local and the global. The products of this alliance of urban and media networks are “hybrid” spaces that are at the same time analog and digital, virtual and material, local and global.

This project represents a prototype for a new interdisciplinary field of design and planning (‘Soft Urbanism’), researching the transformations of architectural/urban space of the emerging “information/communication age”, exploring the dynamic interaction of urbanism and the space of mass media and communication networks. ‘Soft Urbanism’, dealing with the “soft” aspects of the city, not only intervenes in the realm of infrastructures, but also adopts their concept and paradigm: by supplying networks, ‘Soft Urbanism’ creates new fields of possibilities and frameworks for self-organisational processes.

Today, the communicational paradigm, with its “network-cities”, “nodes” and “terminal architectures” is infiltrating and transforming the architectural/urban discourse and practice. Within this framework, ‘idensity¼’ is proposed as a conceptual tool for developing space in the information/communication age. This composite term consists of the combination/fusion of the word “density” of real/urban and “virtual”/media communication spaces (density of connections) and of the word “identity”.

Cyber
Art
Congress
Bilbao

Computational Sociology

Software freedom and culture freedom, Richard Stallman, USA
Artists in industry and the academy: interdisciplinary research collaborations, Edward A. Shanken, USA
On-line microning: collective identities and citizenship in the net, Gurnam San Cornelio Esquerdo, Spain
Viral electioneering: digital dissidents in the 2004 U.S. presidential campaign, D. Travers Scott, USA
Sociality, identity and community in location and visibility spaces on the internet: anon-modernist proposal of constructing the net’s identity through peer-to-peer programs. the case of the share community, Daniel Muriel Sanchez, Spain
The logic of the virtual: science and the method of variations, Hector Rodriguez, China
Redefining network context: creating new paradigms through deconstruction, Jonah Brucker-Cohen and Linda Doyle, Ireland
The virtual self: the avatar as digital self-portrait, Kathy Cleland. Australia
Bombproof identity, Mathias Fuchs and Sylvia Eckermann, UK
Innovation made by users. using software-based products as cultural practice, Mirko Tobias Schafer, The Netherlands
The topology of networks, Nina Czegledy, Canada/Hungary
The reconfiguration of space, Paul Thomas, Australia
Multiculturalism in internet. a case study of nett1me e-mail discussion list, Karla Schuch Brunet, Brazil
The performance of online identity: representation and simulation strategies in cyberspace, Agnes Vayreda, Elisenda Ardevol and Francesco NtInez, Spain

 

Body and Nets

Connective tissue: the flesh of the network, Susan Kozel, Canada
Cyber feminist issues in body representation, Juliet Davis, USA
Web-based interactive music composition: implementing a human / machine conversational approach, Ian Whalley, New Zealand
The social fashioning of emerging communication infrastructures, Katherine Moriwaki and Linda Doyle, Ireland
Coppelius’ fantasy. A route around the organic mechanisms of the cyborg, Carlos Hugo Sierra Hernando, Spain
Processing life, cognition and digital art- notes for a new subjectivity, Paul Alsina Gonzalez, Spain
Solitude of the self: the games virtual beings play, Gregory P. Garvey, USA
Is it sentient? can it learn? Guy Ben-Ary, Phil Gamblen, lain Sweetman, Oron Calls, Dr. Steve Potter, Doug Bakkum, Australia

 

Televirtuality and Telepresence

Situationist spectacles and our emerging urban computing atmospheres, Eric Paulos, USA
Towards artificial creativity: computer-generated expressive music, Ramon Lopez de Mantaras, Spain
Identifying network mirrors: developing the Foucault’s concept of self in a virtual environment, Leonard Latiff, UK
The universal whistling machine: early results, Marc Bohlen and JT Rinker, USA, Canada, Switzerland
Flex text. The flexible, dynamic and distributive textural space, Robert Balthasar Lisek, Poland
Distributed symbiotic cognitive systems: body degree zero, Alan Dunning, Paul Woodrow, Canada
A central axis. A project between the physical and the virtual spaces of social relations, Adrian David Cheok and Lee Shang Ping, Singapore, Diego Diaz Garcia and Clara Boj Tovar, Spain
“Matrix does not tell you who you are”: about the position of the subject before the information paradigm, Jose Antonio Palao Ferando, Spain

 

Synaptic Cartography

Micro political mapping – coding connective confrontations and tactical withdrawals, Christian Huebler, Austria, Germany
IdensityÂź of the Urbanite, Elizabeth Sikiaridi, Germany, The Netherlands; Frans Vogelaar, Germany, The Netherlands
Pattern flows: notes toward a model for an electrochemical computer -the thought body environment, Bill Seaman, USA
Processed meaning: perspectives on semantic computing in a hybrid culture, Bernhard Rieder, France
The window is not the world. Architecture and cyberspace: the dangers of the metaphor, Emilio Lopez-Galiacho, Spain
Distance made good: liquid spaces, Jen Hamilton. Canada; Jen Southern, UK
Re-placing communities: the case for the use of networking technologies to enhance local awareness of physically shared spaces, Nina Bresnihan and Linda Doyle, Ireland

 

Planetary Art

Cyber psycho geography: an intra planetary exploration of net art, nomadic narrative, and viral languages, Mark Amerika, USA
Afrofuturist zones: racing digital art in Roshini Kempadoo’s ‘back routes’, Sheila Petty, Canada
Art of the database and the aesthetic of code, Elizabeth K. Menon, USA
Art@technoscience.creation.comicodes, Emerson Freire, Brazil
Mobile phone music, Frauke Behrendt M.A., Germany
The synoptic construction of self as an aesthetic oeuvre, Gregory Little, USA
The new genre – primo post human, Natasha Vita-More, USA
If these walls could talk: environmental agency in cinematic narrative construction, D. Scott Hessels, USA
Software, art, society, Sergi Jorda, Spain
Nanograffiti: mark-making on the molecular landscape, Stephanie Andrews, USA
Artificial life in digital. Art: a process subjected to unpremeditated action, Chu-Yin Chen, France
The parochial end of the planetary: explorations in lab culture art, Dew Harrison and Simon Poulter, UK
The increased realness, Dr. Juan Andres Crego Moran, Ana Mogica Anduiza and Patxi Serrano Rodriguez, Spain

 

The Museum of the Ubiquitous Art

Conservation of the intangible or leaving behind the idea of conservation, Jose Ramon Alcala, Spain
Presenting and preserving new media art, Christiane Paul, USA
E-mediateque. An interface for the xx – xxi interval? Antoni Mercader, Spain
“Anna Karenin goes to paradise to Inna Kolosova” links to the future. On a work by Olia Lialina, Andrea Garcia Mendez, Spain
Limiting editions: the constraints and delights of networked art exchange projects, Judith Zissman, USA
life after wartime – a suite of multimedia artworks that respond to and interrogate a database of archival crime scene images, texts and audio, Kate Richards, Australia
The new museum – “cultural editing” in hybrid spaces, Yael Eylat Va – Essen, Israel
There will be no interactive art without interactive museum Manthos Santorineos, Greece

 

Planetary Collegium

Info-light: art, technoetics and the biophotonic network, Roy Ascot, UK
The future of uncertainty, Michael Punt, UK
Beyond the object – Nagarjuna’s concept of emptiness and cyberart, Andrea Gaugusch, Austria
Systems of engagement, James Moore, UK
Reconstructing games. Modding as radical constructivist praxis in networked games, software-scenes and arts- a research desideratum exemplified by the anti-war shooter nybble-toolz as model of mediapoetics in generative code-based movies, Margarete Jahrmann, Austria, Switzerland
Alice in ego-shooter-land – messages for a first-person perspective, Maia Engeli, Switzerland
Souvenir of the numbers, Claudia Westermann, Germany
A prior nature: constructing architectures, Shaun Murray, UK
Situation, space, duration, Kjell Yngve Petersen, Denmark
Performance as articulated agency, Karin Sondergaard, Denmark
Off the printed page: background and theory about “electronic” literature, Dr. Dene Grigar, USA
Information and communication technologies: between democracy and social exclusion, Martha Patricia Nino Mojica, Colombia
Psyche of proto-convergence, Ron Wakkary, Canada
How contemporary dance performance/image is affected with the use of alternative projection means? Yacov Sharir, USA
Aligning projections: painting and the cave, Margaret Dolinsky, USA
In the eye of the body storm, Thecla Schiphorst, Canada
Soft buildings, Mike Phillips, UK
From a liminal, gnawing twinge to urgent insistence: thresholds of the visceral sense, Diane Gromala, USA
Visualization and visual metaphors, Donna J. Cox, USA
The synestheater, Diana Slattery, US

under the pavement (piercing the beaches) run fiberglass cables.

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